Doesn't necessarily have to be a bad thing, just an unusual thing. I think mine might be the fact that I often hide and guard my character's internal thoughts and feelings, offering only external clues that a character could naturally observe. It's a habit I picked up in an effort to make it easier for writing partners to avoid metagaming, but it's quite bizarre from a general writing perspective. Rarely do you read books where you simply don't know what your main character is thinking, and I find many writers follow that.





